Nascent Stag

Jeg er en uafhængig kunstner baseret i Sussex og er kendt for mine store moderne landskabs oliemalerier, som blander det nær-abstract med det traditionelle

Gill Bustamante

Se værker
Gill Bustamante
Forest Row, United Kingdom
Jeg er en uafhængig kunstner baseret i Sussex og er kendt for mine store moderne landskabs oliemalerier, som blander det nær-abstract med det traditionelle. Jeg tog et kunstfundamentkursus på Chelsea i 1979 og afsluttede en fin kunstgrad i Brighton i 1983. Min malestil er en fusion af impressionisme, semi-abstrakt, rodet Art Nouveau og noget, jeg kalder 'hukommelsesimpressionisme'. Dette er, hvor jeg går en tur et sted på landet, ser på og absorberer de ting, jeg ser og oplever, og så kommer jeg hjem og prøver at fange et 'ekko' af stedet fra hukommelsen, inklusive alt dyreliv, jeg måtte have set. Dette er især interessant i gamle steder som England, da der er magi i denne verden, som mange mennesker ikke får chancen for at se, hvis de bor i byer. Jeg ser det, og jeg kan lide at dele det. Jeg kan godt lide at tænke, at malerier har 'små sjæle' vævet ind i dem af kunstnerne, og at det er disse, der kalder på en seer (eller ikke, som tilfældet kan være) og giver et maleri tilstedeværelse og ønskværdighed. Mine malerier kalder på dem, der ligesom mig gerne vil se ud over det mundane og mod det åndelige. Min drivende ambition er at male en vej ud af dette univers og ind i et bedre, hvilket er grunden til, at det meste af mit kunstværk har stier, portaler og små mysterier. En dag kan jeg forsvinde, og du vil vide, at jeg har haft succes. Maling gør mig altid glad sammen med kage, kaniner, at køre uregelmæssigt, BBC 6 musik og totalt respektløs komedie. Kontakt mig venligst, hvis du gerne vil lave en aftale for at se kunstværk (Øst Sussex) eller for at diskutere en kommission. Jeg er altid meget glad for at møde folk! De bedste ønsker, Gill
Enchanted, a blue seascape with birds
2026 · 91.4 × 91.4 cm · £1.800
The Shapeshifter
2026 · 91.4 × 91.4 cm · £1.800
Nascent Stag
2026 · 76.2 × 50.8 cm · £1.100
The Search Continues
2026 · 76.2 × 76.2 cm · £1.500
The Winter Monarchs
2025 · 101.6 × 101.6 cm · £2.100
Abstract Autumn Wood
96 × 61 cm · £1.500
The Roebucks Realm
2026 · 91.4 × 91.4 cm · £1.800
Hope Springs Eternal
2026 · 92 × 92 cm · £1.800
Across the August Fields
92 × 61 cm · £1.500
The Owls Haven
2026 · 101.6 × 76.2 cm · £1.700
Out Of This World
2026 · 121.9 × 121.9 cm · £2.400
Zebra Queen
2026 · 76.2 × 76.2 cm · £1.500
Enchanted, a blue seascape with birds
2026 · 91.4 × 91.4 cm · £1.800
Across the August Fields
92 × 61 cm · £1.500
The Shapeshifter
2026 · 91.4 × 91.4 cm · £1.800
The Roebucks Realm
2026 · 91.4 × 91.4 cm · £1.800
Zebra Queen
2026 · 76.2 × 76.2 cm · £1.500
The Search Continues
2026 · 76.2 × 76.2 cm · £1.500
The Winter Monarchs
2025 · 101.6 × 101.6 cm · £2.100
The Owls Haven
2026 · 101.6 × 76.2 cm · £1.700
Abstract Autumn Wood
96 × 61 cm · £1.500
Out Of This World
2026 · 121.9 × 121.9 cm · £2.400
Nascent Stag
2026 · 76.2 × 50.8 cm · £1.100
Hope Springs Eternal
2026 · 92 × 92 cm · £1.800

CV

My name is Gill Bustamante I am Sussex-based oil painter with a Fine Art degree and a long professional career painting the landscapes and wildlife I encounter on my rural walks in the South East. My paintings combine semi-abstract techniques with a strong connection to real places - capturing the essence of the landscapes, birds, wildlife, nature, light and movement I have seen after walking somewhere. I have sold over 1500 paintings online or in galleries over the course of my career and 1000’s of prints. My paintings are completely unique in style. I work mostly from memory as that tends to prevent me getting too 'traditional' in how I relay the landscapes and wildlife I see. The reason being that there are already many excellent landscape and wildlife artists capturing realistic landscapes and wildlife. I however, try to use a language which not only shows visual details but also some of the other perceptions such as the scents, sounds and spiritual energy also contained in the places I visit. This is especially interesting in the ancient landscapes of England as there is an implied magic in them that many people don’t get a chance to see if they live in cities. I perceive it and I like to share it. This process has led to a distinctive and unique style of painting which is forever evolving. My ultimate purpose with my painting, apart from simply the thrill of creating it, is to inspire others to want to better protect the wildlife, birds and landscapes they see. This desire to help nature rather than just abusing it is becoming stronger globally and I am happy if I am helping to promote this. I think of my paintings as little captured universes that can lead to other times and places. I have a strong urge to paint my way out of the mundane - which is why much of my artwork features pathways, portals, and little mysteries. One day I may disappear into one and you will know I have succeeded. Bio As a child, I taught myself to draw and paint by copying pictures from wildlife and horse books on an almost daily basis and the skills I acquired were added to throughout school and art college. However, my first real introduction to life as a working artist began on leaving art college when I discovered that the Brighton art galleries and the local job centre did not, at once, sign me up for a glittering career as an artist. In the job centre, when I informed my consultant that I had a Fine Art degree, the lady laughed sympathetically and then offered me a job as a chambermaid (which I took). In the art galleries I visited, I was told I needed to be an ‘emerging’ or ‘mid-career’ artist in order for them to be interested. I tried to convince them I had, in fact, ‘emerged’ at age 3 but my reasoning failed to impress and so like millions before me I discovered the well-known issue of needing to be ‘a name’ before I was ‘a name’. However, regardless of not winning the Turner prize or being Picasso, I continued to draw and to paint and regularly took part in or organized exhibitions where I sold work or was given commissions. In the 1990s I met an art agent who travelled the area selling animal portrait commissions and I became one of the artists he represented which was excellent experience as it demanded I learn some formal portrait painting techniques. Commissions continued as my main income source until around 2010 when I first began to sell art online. The success I had on this gave me the opportunity to spend more time developing new ideas and techniques and, for the first time in my career, I painted for my own pleasure, eventually developing a distinctive style of my own.

Tag kontakt

Interesseret i et værk eller en bestilling? Send en besked.

Forest Rows, East Sussex

En hilsen fra Gill

Tak, fordi du tager dig tid til at se på mit arbejde. Vil du høre, når noget nyt forlader atelieret – en ny serie, en udstilling, en åben atelierdag – så skriv din e-mailadresse her. Jeg skriver kun, når der er noget at fortælle.

Et par gange om året. Afmeld med ét klik.